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Poems and song lyrics are short, so even a snippet is more than fair use. Hm, I don't agree that it's okay to quote song lyrics as long as you cite the artist. If you have concerns it never hurts to contact the estate to ask. In other words, there are definitely copyright laws and then there is the protectiveness of an estate, which can be two separate things. What I can also say is when in doubt, ask. The publisher will require all necessary permissions prior to publication, but for submissions you'll be fine. That being said, what I can tell you is that you don't need to get the permissions prior to submitting the material. I can't say that without knowing exact details and I'm not going to give advice here for fear I might be wrong. I can't tell you specifically which quotes you will need permission for and which you won't. It is also your responsibility to pay for those permissions should any fees be required. That means use in print, ebook, possible audio, in the U.S. Whenever you use any material from other sources-quotes, song lyrics, poems, etc.-it is your responsibility as the author to obtain permission for use in whatever format the book will be published.
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Quotes are probably okay, but don't quote me on that. I am curious whether or not I need to approach these writers' estates and ask permission to use them, or if that falls under a caveat in copyright law. Clarke and Isaac Asimov (such as "Violence is the last refuse of the incompetent" from Asimov's Foundation series). These quotes are from works by well-known science fiction writers like Arthur C. Now.I am revising the draft of my first novel, and part of it takes place in a school setting, where can see different inscriptions/quotes above doors and in various other places. I guess I have the films of my teenage years to thank for my initial connection to Simon & Garfunkel, but I'm overjoyed to have found a true friend in Bookends. The music took on its own identity in my eyes, and the album itself became personified - it was almost like the record and I had been through some tough times together and that we'd come out stronger on the other side. Whether I was dancing along or on the brink of tears, I loved the fact that Bookends engaged me emotionally from start to finish.īy the end of the album, the feeling that this record and I were old friends was only intensified, and with further listens I realized that I had an even deeper connection to the album than I wanted to admit. But luckily, the album kept rolling and the upbeat tone of "Fakin' It" and silly lightheartedness of "Punky's Dilemma" almost immediately lifted my spirits. If I had been listening to it on vinyl, I don't think I would have been able to muster the wherewithal to cross the room and flip over the record. In fact, it kind of scared me how much of an impact the first seven tracks of Bookends had on my psyche. Simon & Garfunkel hit on so many elements of music that I am naturally drawn to - simple instrumentation, thought-provoking lyrics with narrative leanings and arrangements that allow both to shine.Īnd that's what I've come to discover that I love about Simon & Garfunkel - they are absolute masters of emotive, transformative lyricism. Listening to Bookends was like reuniting with an old friend I didn't know that I had: only after hearing the album start to finish did I recognize that these songs have been around me all along. "America" breezed right by me in Almost Famous, and I never quite understood why the song surrounding a particularly poignant scene in 500 Days Of Summer was called "Bookends."īut now, my narrow cinematic context of Simon & Garfunkel has been broadened.
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Robinson," I've never seen The Graduate in its entirety. From there, my knowledge of Simon & Garfunkel continued to be informed solely by incomplete pop culture encounters with the duo. My musical relationship with Simon & Garfunkel began with an influence that any self-respecting, music-loving twenty-something would now be ashamed to admit: The Garden State soundtrack.